Design Library

Design Knowledge That Connects.

Our Design Library has been a key resource for research and inspiration as well as contemporary and historical design topics since the 1960s. We make knowledge accessible, support in-depth inquiries and help everyone who wants to understand, study or advance design.

What Makes Our Design Library Unique

Our library is one of the most significant knowledge hubs for design in Germany. Since the 1960s, it has grown continuously, providing open access to international design knowledge – with approximately 20,000 books, audiovisual media, and around 40 international design journals. The historical periodical collection includes an additional 400 titles and documents key developments in design history.Thanks to careful cataloguing, rare publications from the 1950s and 1960s, and ongoing updates, the library is an essential resource for research, teaching, and anyone exploring design practice, theory, or history. Our location on the Media Campus of Hochschule Darmstadt strengthens our collaboration with universities, students and the wider research community.

New in the library

Lars C. Grabbe (Hrsg.)

Designforschung und KI. Ästhetische Transformation im Zeitalter artifizieller Systeme

Wiesbaden, Springer Fachmedien, 2025, 232 pages, illustrations

Current contributions on the significance of artificial intelligence in the context of design research. The focus is less on technical capabilities and more on the influence exerted on meanings and value systems in design.

Thomas Wüthrich / Yves Raschle

Nachhaltige Designprozesse. Leitfaden für die gestalterische Praxis und Lehre

Park Books, 2025, 256 pages, numerous illustrations

A practice-oriented guide to the implementation of sustainability strategies within organisations, ranging from fundamental strategic business decisions to product development, with concrete and actionable recommendations.

Tom Bieling / Uta Brande u.a. (Hrsg.)

Nutzen statt besitzen. Michael Erlhoff revisited

Basel, Birkhäuser Verlag, 2025, 292 pages

The text “Nutzen statt Besitzen”, formulated by Michael Erlhoff in 1995, may have been ahead of its time and remains highly relevant today. This new volume revisits the topic with 20 new contributions addressing both present and future perspectives.

Edited by the Grassi Museum of Applied Arts Leipzig

Formen der Anpassung. Kunsthandwerk und Design im Nationalsozialismus

Hirmer Verlag, 2025, 336 pages, numerous illustrations

In addition to contextualising the significance of design under National Socialism, the catalogue primarily examines the role of the Grassi Museum itself and its exhibitions during this period, presenting numerous exhibits from its own collection.

Ulrich Raulff

Wie es euch gefällt. Eine Geschichte des Geschmacks

C.H. Beck Verlag, 2025, 479 pages, illustrations

A nuanced journey through the history of taste, from Meissen to Victoria’s Secret, which also takes into account the economic, political, and social contexts.

Chip Colwell

Habseligkeiten. Eine Geschichte der Menschheit vom Faustkeil bis zum Smartphone

Reclam Verlag, 2025, 428 pages, illustrations

There were times when objects were valued above all for one thing: their importance to survival. With industrialisation and the accompanying rise of mass production, many new objects emerged—very many of them of little or no practical use, then as now—yet we nevertheless believe we must possess them. This book seeks to explore and explain the nature of our relationship to the things with which we surround ourselves.

Anthony Dunne / Fiona Raby

Not Here Not Now. Speculative thought, impossibility, and the design imagination

Cambridge, MIT Press, 2025, 284 pages, illustrations

The authors, known for their research and publications in the field of speculative design, expand on this approach by moving design away from solution-driven thinking and towards understanding design as a medium for critical thought — a serious method for engaging with the crises of our time.

Beppe Finessi (Hrsg.)

Compasso d’Oro. ADI Design Museum. Historical Collection.

Rom, Treccani Libri, 2025, 1.040 pages, numerous illustrations

A comprehensive overview of the history of the Compasso d’Oro, Italy’s most important design award since 1954. With extensive illustrations, detailed information on awarded products, and numerous new essays by renowned authors, the volume becomes an essential reference on Italian design.

Grace Lees-Mafffei / Rebecca Houze (Hrsg.)

The design history reader

2nd edition, London, Bloomsbury, 2025, xxiii, 493 pages, illustrations

This revised and expanded edition brings together key texts from the history of design and design practice from the 17th century to the present. Organised thematically, the texts offer insights into design history and practice that remain relevant today. Questions of sustainability, gender, globalisation and decolonisation were already addressed in earlier design discourses.

Martina Heßler

Sisyphos im Maschinenraum. Eine Geschichte der Fehlbarkeit von Mensch und Technologie

München, Verlag C.H. Beck, 2025, 297 pages

In machines and technologies we project ideals of perfection, while perceiving ourselves in comparison as inherently “deficient” beings. The history of assigning superiority to machines over humans began as early as the 19th century – and overcoming this mindset is long overdue.

Hrsg.: Dorian Marjanović, Mario Štorga, Stanko Škec Cham

Designforschung: Die soziotechnischen Aspekte von Qualität, Kreativität und Innovation

Springer Vieweg, 2025, 211 pages, graphics

This edited volume offers a solid overview of the current state of design research, particularly in engineering design, while also providing perspectives on future developments. The discussions focus on issues of creativity, quality, emerging technologies and human-centred methods.

Gabriel Yoran

Die Verkrempelung der Welt. Zum Stand der Dinge (des Alltags)

Berlin, Suhrkamp Verlag, 2025, 185 pages

When products are optimised, even in minor details, strange solutions sometimes emerge that do not necessarily make them easier to use—the author calls this “clutter.” He examines this phenomenon in a form of consumer critique and also raises questions about the role of consumers in these processes.

Rarities of the library

The library also contains numerous very special publications that are not only interesting for researching design history. These are, for example, the Olivetti Corporate Design Manual, the "Deutsche Warenkunde" from the 1930s.

Another special feature is the collection of the design magazine Techničeskaja ėstetika from the former Soviet Union, which is available from 1965 to 1988. There is an interesting article on this magazine and the library of the German Design Council by Yves Vincent Grossmann from 2017.

Why We Still Need a Design Library

Not all design knowledge is available online. Many important sources – books, specialist magazines and historical materials – exist only in printed form. They offer perspectives that remain vital for today’s cultural, creative and economic questions. Specialised digital databases for design are also not always freely accessible. That’s why on-site research remains essential, particularly for academic work or more specialised design questions. 

Our Research Services

Design research can be wide-ranging. And at times complex. We help identify relevant sources and access design knowledge effectively:

  • Guidance on design libraries, archives and databases
  • Expert support for research enquiries
  • Access to specialised sources and professionals
  • Referral to additional resources for research and design practice
     
  • The holdings of our library can be searched digitally via the OPACs (Online Public Access Catalogues) of the Frankfurt museum libraries and the K10plus union catalogue. The supra-regional library networks you can access here:

Adress

Our library is open to anyone interested in design and creativity. It is located on the Media Campus of Darmstadt University of Applied Sciences.

Building F25
Max-Planck-Straße 2
64807 Dieburg

Access & Opening Hours

Monday, Wednesday and Thursday, 9:00–17:00

>> Please schedule a visit in advance to ensure optimal use of the collection and personalised support.

Contact

Please do not hesitate to contact us if you have any questions.

Helge Aszmoneit

Design Bibliothek & Wissensvermittlung